Death, what? The sun's corpse will roll on suggests circular motion that brings architecture, spirit and intellect into play.
On the lower floor a colour scheme predominates between shades of white and grey - I'm waiting for the builders to do the ceiling. The rain is still coming in and The carpet is on order. It cannot be put down until the ceiling is re-done. On the upper floor, red and blue.
In the choice of colours, in the modulation of forms, in the reuse of materials, Sarah Entwistle posits the idea of circularity as the hinge around which past and future, ruin and rebirth, revolve in a polar way. We started from the image of a circle, recurring in the exhibition, blurring it in the meanings of evolution, processuality.
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